Here, the postulate is to build from archival images, a story that does not claim to be true. We take what constitutes in large part our memory as a non-objective material capable of revealing realities that are specific to each person. The juxtaposition of non-chronological images, yet coming from the same context, and a voluntarily expressive music (although in many aspects abstract), make us travel in the movement of our bodies, in our anamnesis.
D'après ce qu'il nous reste is a device that links super 8 archives and live music.

DISTRIBUTION
Camille Auburtin : video
David Chiesa : piano frame, synthesizer